Primetime

Primetime

There are many questions regarding Lance Oppenheim’s latest feature, Primetime. Why did the well-known documentary filmmaker (Some Kind of Heaven, Ren Faire) decide to make a narrative film, and one centered on To Catch a Predator (2004-07) host Chris Hansen, of all people? The cynical answer would be Oppenheim found out about David Osit’s documentary on the same subject, the 2025 Sundance darling Predators, and it convinced him to scuttle a copycat doc and instead go full biopic. Although that would be a gross oversimplification of things, the strange truth is that the films overlap in their dissection of Hansen. Predators is a sprawling doc that focused on the history of the infamous reality show, including the vigilante group Perverted Justice that aided Hansen in ensnaring predators by impersonating minors in internet chat rooms. TCaP’s ratings-fueled zeal to entrap and

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The Take-Up Podcast

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Resident Evil

Resident Evil

For decades, Hollywood has tried to crack the code to a good Resident Evil movie. When Constantin Films bought the rights to the video-game franchise

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The End of Oak Street

The End of Oak Street

David Robert Mitchell doesn’t not owe us an apology. His break-out horror film, the soon-to-be-sequel-ed It Follows (2014), jangled a few keys, attached to a

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Tony

Tony

Despite any initial reservations one may have about Tony – the biopic/prequel about how Anthony became Bourdain that sounds like a for-hire job by an

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Trains

Trains

A wordless – though scarcely silent – rail journey through the first half of the 20th century, the remarkable archival documentary Trains posits that the

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The Odyssey

The Odyssey

With a filmography full of deconstructions of Great Men – whether they came from the pages of a comic book or have influenced geopolitical conflicts

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Evil Dead Burn

Evil Dead Burn

The original trilogy of Evil Dead films directed by Sam Raimi vary significantly in tone: The Evil Dead (1981) is an assaultive shriek of midnight-movie

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The Take-Up Podcast

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