Wolf Man

Wolf Man

Shrewdly reimagining H.G. Wells’ 1897 “Grotesque Romance” for a contemporary audience, writer-director Leigh Whannell’s 2020 take on The Invisible Man seemed to break the curse

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The Take-Up Podcast

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Better Man

Better Man

Following a year with three major music biopics – Back to Black, Bob Marley: One Love, and A Complete Unknown – it’s challenging to sell

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A Complete Unknown

A Complete Unknown

“You’re kind of an asshole, Bob.” A weary Joan Baez (Monica Barbaro) makes that barbed, amusingly profane observation to her sometime lover and singing partner

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Nosferatu

Nosferatu

Emerging from the nocturnal gloom of winter like a specter of Death itself, Robert Eggers’ Nosferatu is one of the most lavishly, relentlessly Gothic horror

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A Traveler's Needs

A Traveler’s Needs

Hong Sang-soo and Isabelle Huppert were supposed to meet for dinner. So begins the story behind A Traveler’s Needs, Hong’s 31st film and third with

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Hard Truths

Hard Truths

British filmmaker Mike Leigh has an unassailable talent for rendering characters who are a lot, as they say. Pansy, the vitriolic protagonist of Leigh’s latest

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Maria

Maria

First things first: Maria Callas (Angelina Jolie) is dead. The scene taking place in the adjourning room is a slow-moving and silent one – medics

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Nocturnes

Nocturnes

Nocturnes is a rare and exquisite species of documentary, a meditative ode to the slow, thankless rhythms of scientific fieldwork – and to the untrammeled

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Nutcrackers

Nutcrackers

We get the gist of Michael Maxwell (Ben Stiller) before the opening credits of Nutcrackers are even halfway over: This work-obsessed, sports-car-driving, sharply dressed man

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The Take-Up Podcast

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