
Assassin’s Creed Shadows Thrives in the Space Between Thought and Action
“You cannot know anything,” a wise assassin once cautioned, “only suspect. You must expect to be wrong, to have overlooked something.” Ubisoft seems to have
“You cannot know anything,” a wise assassin once cautioned, “only suspect. You must expect to be wrong, to have overlooked something.” Ubisoft seems to have
Washington University’s African Film Festival returns for its 19th edition from March 28 – 30. This year, the fest’s three narrative features — Demba, Sadrack,
Steven Soderbergh hit the ground running in 1989 with his Palme d’Or-winning feature debut, sex, lies, and videotape, and has spent the ensuing decades building
In recent years, much has been made of social media’s role in disseminating urban legends, malicious hoaxes, and outright political disinformation. No one seems to
From Feb. 6 – May 29, the Webster University Film Series will feature a marathon retrospective on the works of legendary American documentarian Frederick Wiseman.
Employing a dramatic, even jarring shift in tone from one narrative feature to the next is practically a horror filmmaking tradition, indulged by luminaries such
Editor’s Note: It’s difficult to overstate the importance of David Keith Lynch and his works to the founders of The Take-Up. (There’s a reason that
Although the name Halfdan Ullmann Tøndel might not sound familiar, his grandparents’ will surely ring a bell: Liv Ullmann and Ingmar Bergman. Forget about the
Editor’s Note: It’s difficult to overstate the importance of David Keith Lynch and his works to the founders of The Take-Up. (There’s a reason that
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